Showing posts with label animalitos. Show all posts
Showing posts with label animalitos. Show all posts

Saturday, February 12, 2011

Animalitos, Masks, and Necklaces!

In Ceramics I this past week we worked on Animalitos! Following is a photo from Tuesday with some very cute little animalitos, star-itos, and even a cake-ito :)
In Ceramics II, work continued on masks. The photos featured here (above and below) are of unfired works, but since it takes a while for us to receive our fired goods back from WWA, I wanted to include something here to represent that great work that's happening in the Ceramics classes. Hopefully, soon, we'll have the artist stamps back so that I can show you what many of the students have been up to. 
Ceramics III students continue their work on Canopic Jars, and are making great progress! 
Jewelry students worked on necklaces this past week, and came up with some really pretty designs!
This is just a small sample of what happened in class. Rebecca's star necklace (above) is still a work-in-progress, but so pretty (as is!) that I couldn't resist taking a photo :)
Alecia used a very limited color palette--black, white, clear crystal, and apple green--in keeping with the colors of the charm on her necklace. What a fantastic design decision!

We had quite a few students out sick (or snowed in??) this past week. Be sure to show up this coming week, though, especially if you're in the ATC class! You'll find out why when I post photos next week!

See you in class! Stay warm & dry!

Monday, October 18, 2010

Chiaroscuro!

In ATC class this past week we finished up our "mini mandalas," and they're absolutely BEAUTIFUL! Students titled their works, and these will be mounted and labeled for the end-of-semester Art Show.
Rembrandt's Old Woman Cutting Her Nails, c.1665-1660. Oil on canvas.
 We learned all about the relationship between Light and Shadow in Explorations in Art. After a discussion about the various sources of light, both during the day and at night, we toured the gallery to discuss the works on display. Students took turns using the "portable Sun" to identify the position of the light source in each work.
James Chapin's Ruby Green Singing, 1928. Oil on canvas.
 This was a little trickier than they thought it would be, but we had a lot of fun (and some coaching!) figuring out each work of art. We discussed the way artists use Light and Shadow in their works to convey a sense of volume and to create a mood.
William Harnett's The Old Violin, 1886. 
 We learned the meaning of Chiaroscuro, and talked about the mastery of this technique by artists such as Johannes Vermeer, Rembrant van Rijn, Michelangelo Merisi da Caravaggio.
Vermeer's The Kitchen Maid, c. 1658. Oil on canvas.
Once each student felt comfortable with their understanding of Light and Shadow, we set up a Still Life, turned on a spotlight, and then turned off the overhead light so that students could create their own chiaroscuro compositions. 
 Young artist who earlier declared this an "easy" project soon changed their minds! But, as you can see by just a couple of examples, their efforts were very successful . . .


 Meanwhile, in Ceramics I class, students began work on clay masks, which will be finished in the coming week. With a little leftover time and bits of clay, a few young artists spent the remainder of the class period making small works, such as the animalito featured below which was created by Olivia. She combined red and white clay to create this wonderfully whimsical little creature. So creative!


 Ceramics II students continue their "independent study" work, and I'll be sure to post photos of what they've been up to just as soon as the works have been bisque fired. Be sure to check back, because they've been doing some seriously cool stuff!

Sunday, September 13, 2009

Diego Rivera, Paper Beads, and the Book of Kells: Just a Smidgen of Week 2's Projects!

The second week of school was packed with activities and projects. You might remember last week that I challenged students to find an artist who shared their name (first or last), and to bring in a photo of the artist's work. Diego G. came through with a magnificent work by Diego Rivera:
Diego Rivera's El Hombre al Cruce, at Palacio de Bellas Artes, Mexico City
Thanks, Diego! 
Great work! Diego earned an ATC--the beginning of his collection. Whoever has the MOST ATCs by semester's end will win an even better prize! :)
I'd also like to send out a special thank you to Celeste for the thorough paper on one of my favorite artists, Georgia O'Keeffe!  


Ram's Head White Hollyhock and Little Hills, 1935 collection:Brooklyn Museum Georgia O'Keeffe
Art from Paper
. . . was fun, and a little bit tricky, when the students made beads out of paper, and then strung them on yarn. We learned that paper can mimic other materials when rolled up. The beads, below, almost look like stone!
Explorations in Art
. . . turned into quite an adventure when the 4th through 6th students explored the Book of Kells. Over the next week or two, we will continue to create our own version of this ancient script. This work, created by Irish monks around 800 b.c., is full of intricate designs, ornamentations, and hidden pictures. 
1st through 3rd grades continued their journey of the elements of art when we discussed shape. We picked up from last week's lesson--line--and used lines to create shapes. We took turns naming the various types of shapes before creating our own, and coloring them in . . .
WOW! Look at all those SHAPES!!
Ceramics I
. . . was quite a lot of fun. While learning the pinch method, students tackled their first clay project: the "animalito" (little animal). Ever thinking outside the box, some students made BUGitos, VOLCANOitos, and a variety of other "ito" items. We certainly have a lot of talented ARTISTitos (little artists!) in our class!
The more advanced students in  
Ceramics II
spent their first "wet clay day" making artist stamps. Each student designed their own stamp, picking a shape or symbol that they identified with, artistically, and carved a stamp to use in their future ceramic works. This was quite tricky, though, because the stamps needed to be mirror images of what they wanted them to look like after pressing them into clay! 



Drawing and Painting
. . . young artists really had to stretch their imaginations, when they were challenged to create their own imaginary creature, and to use COLOR to convey the creature's personality!
And in Mixed Media class
students combined collage, pencil drawing, and crayon (or colored pencils) to create "fill in the missing half" artworks! If you're not in Mixed Media class, and want to try this at home, here's what you do:
1. Find a picture that you like in a magazine, and tear it out.
2. Cut the picture down the middle, lengthwise.
3. Glue one of the halves to plain white paper, leaving room on the "missing side" of the paper for drawing.
4. Save the unglued side for reference.
5. Using a pencil, and the missing side for reference, draw in the missing elements of the picture.
6. Use crayons or colored pencils to finish your artwork!
7. Amaze your friends and family with your extraordinary 
ARTISTIC TALENT!  :)
Do you want to win a PRIZE (an original ATC) in the coming week?
If so, then go to the National Gallery of Art's website and start looking through their permanent collection (or the current exhibit!) to find a work of art that really appeals to you. It can be from any genre you choose, and from any year in art history: prehistory through contemporary works. Print out your choice and bring it to class. Be prepared to tell me what you like about it!

I'm particularly fond of the works in the Philip Guston exhibit that is currently on view through October 18th in the East Buiding's Tower Gallery. He has such a playful style. It reminds me of outsider art, and has a distinctive "self taught" edge to it. 
Philip  Guston, Rug, 1976.  Oil on canvas